Monographs
2024, Dramaturgy to Make Visible: The Legacies of New Dramaturgy for Politics and Performance in Our Times. London and NY: Routledge.
2017, New Media Dramaturgy: Performance Media and New-Materialism (coauthored with Helena Grehan and Edward Scheer). Basingstoke & New York: Palgrave Macmillan.
2013, Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era (coauthored with Denise Varney, Barbara Hatley and Chris Hudson), Palgrave 2013.
2013 Performativity and Event in 1960s Japan: City, Body, Memory, Palgrave 2013.
2006, Theorizing the Angura Space: avant-garde performance and politics in Japan 1960-2000. Leiden, Brill Academic.
Edited books
2024, Il Nuvo Teatro El’Avangardia Teatrale: Incontri e influenze oltre i confini
(1948-1981), (coedited with Simona Brunetti and Monica Cristini), Bari. Editioni di Pagina.
2023, (Asian) Dramaturgs Network: Sensing Complexity, Tracing and Doing, (coedited with Charlene Rajendran). Singapore: Centre 42.
2021, Okada Toshiki and Japanese Theatre, (coedited with Barbara Geilhorn, Andreas Regelsberger, Cody Poulton). Aberystwyth: Performance Research Books.
2021, Curating Dramaturgies: How Dramaturgy and Curating are Intersecting in the Contemporary Arts, (coedited with Bertie Ferdman), London and NY: Routledge.
2020, Machine Made Silence: The Art of Kris Verdonck (coedited with Kristof van Baarle). Aberystwyth: Performance Research Books.
2019, The Routledge Companion to Performance and Politics (coedited with Helena Grehan). London and NY: Routledge.
2017, 2017, The Dumb Type Reader (coedited with Edward Scheer, Fujii Shintaro). Copenhagen: Museum Tusculanum Press.
2013, We’re People Who Do Shows, Back to Back Theatre: Performance, Politics, Visibility (coedited with Helena Grehan, Performance Research Books.
2011, Takeshi Kawamura: Nippon Wars and Other Plays, (edited, introduction, essay, play translations). London and Calcutta: Seagull Books.
2006, The Ends of the 60's: Performance, Media and Contemporary Culture (coedited with Edward Scheer), Sydney, Australia: Performance Paradigm.
2004, Alternatives: Debating Theatre Culture in an Age of Confusion (coedited with Tadashi Uchino, Naoto Moriyama). Brussels PIE Lang.
1999, Disorientations. Cultural Praxis in Theatre: Asia, Pacific, Australia (coedited with Rachel Fensham). Melbourne: Monash Theatre Papers.
